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The Da Vinci Code

 

 
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JESUS, MARY MAGDALENE AND THE DA VINCI CODE

 by Gerald O’Collins, s.j.

Dan Brown’s Da Vinci Code (April 2003) is a highly paced murder mystery, set in Paris and London, featuring a secret society and an astute French detective, and closing with a “journey’s end in lovers’ meeting.”  Using as his prime piece of evidence Leonardo’s “Last Supper,” Brown proposes that the figure on Christ’s right is not the beloved disciple but Mary Magdalene, who married Jesus and bore him a child.  She was the Holy Grail for his blood and Jesus wanted her to succeed him in leading his followers. The official church suppressed the truth about Mary’s relationship with Jesus and did its best to belittle her as a prostitute.  So much for the tributes Church Fathers like Hippolytus, Gregory the Great and Leo the Great paid to her as “the apostle of the apostles,” “the representative of the church,” and “the new Eve announcing not death but life” to the male disciples!

In The New York Times (August 3, 2003), Bruce Boucher exposed the eccentric nonsense about Leonardo which masqueraded as new expertise.  But there is more to be said about the effort to discredit mainstream Christianity and exalt the sacred feminine and even goddess worship, supposedly driven underground by orthodox church leaders.

Quite a few earlier writers have tried their hand at “proving” a liaison between Jesus and Mary Magdalene — notoriously Michael Baigent, Richard Leigh and Henry Lincoln in Holy Blood, Holy Grail (1982). They alleged that several of the royal families of Europe (but not the Windsors) are descended from Jesus and Mary.  Brown is more cautious and names only the ancient Merovingians as belonging to Jesus’ bloodline.  His case rests on cracking the code of Leonardo’s painting.  But his interpretation, as Boucher shows, is “extremely eccentric” and frankly misinformed.

The Da Vinci Code teems with historical misinformation.  The claim that the Emperor Constantine shifted the Christian day of worship to Sunday (p. 232) is simply false. Evidence from St Paul and the Acts of the Apostles shows that, right at the start of the Christian movement, Christians replaced Saturday with Sunday as their day of worship.  Sunday was the day when Jesus rose from the dead.  What Constantine did on March 3, 321 was to decree Sunday to be a day of rest from work.  He did not make Sunday the day of worship for Christians; it was already that from the first century.

Brown tells us that, under pressure from Constantine, Christ was declared to be divine at the Council of Nicaea in 325.  “Until that moment in his history Jesus was viewed by his followers as a mortal prophet … a great and powerful man, but a man nonetheless” (p. 233).  Would Brown please read St John’s Gospel, which has St Thomas calling Jesus “My Lord and my God” and which expresses Christ’s divinity in many other passages.   Decades before John’s Gospel was finished, St Paul’s letters repeatedly affirm faith in Christ as divine.  The Council of Nicaea did not invent faith in Christ’s divinity but added another (semi-philosophical) way of confessing it — through the language of his “being of one substance with the Father.”

When pleading his case for the eternal feminine and goddess worship, Brown ignores recent scholarship and belittles the Jewish roots of Christianity.  He assures us that “virtually all the elements of Catholic ritual — the miter, the altar, the doxology, and communion, the act of ‘God-eating’ — were taken directly from earlier pagan mystery religions” (p. 232).  Doesn’t Brown know about the use of altars in Jewish worship, in which much of Christian ritual had its roots?  The wearing of the miter by patriarchs and then other bishops in Eastern Christianity originated from the emperor’s crown.  In the West the use of miters is traced back to the eleventh century, when the pagan mystery religions had long disappeared.  The Christian doxology (“Glory be to the Father and to the Son and to the Holy Spirit”) is based on some of the Jewish psalms (e.g. Psalms 8; 66; 150).  Holy Communion has its origins in the Jewish Passover, celebrated by Jesus and his disciples on the night before he died.

Apropos of Judaism, Brown introduces some stunning errors about ritualistic sex and God.  Old Testament scholars agree that prostitution was sometimes used to obtain money for the Temple.  But there is no convincing evidence for sacred or ritual prostitution, and none at all for Israelite men coming to the Temple to experience the divine and achieve spiritual wholeness by having sex with priestesses (p. 309).  Brown explains that the Holy of Holies “used not only God but also His powerful female equal, Shekinah” (ibid.).  A word not found as such in the Bible but in later rabbinic writings, Shekinah refers to the nearness of God to his people and not to some female consort.

It is also breathtaking nonsense to assert as a “fact” that the sacred tetragrammaton, YHWH, was “derived from Jehovah, an androgynous physical union between the masculine Jah and the pre-Hebraic name for Eve, Havah” (ibid.).  YHWH was written (in Hebrew) without any vowel signs. Jews did not pronounce the sacred name, but “Yahweh” was apparently the correct vocalization of the four consonants.  In the sixteenth century some (Christian) writers introduced “Jehovah,” under the mistaken notion that the vowels they used were the correct ones.  “Jehovah” is an artificial name created less than five hundred years ago, and certainly not an ancient, androgynous name from which YHWH came.

One could go on and on, pointing out the historical errors in The Da Vinci Code.  One last example.  Killing so-called witches was a horrible crime in the story of Christianity.  But the idea that the Catholic Church burned at the stake “five million women” (p. 125) is bizarre.  That kind of savagery would have depopulated Europe.  Experts give instead the statistic of around 50,000 victims for the three centuries of witch hunts carried out by Catholics and Protestants.  But it suits the tenor of Brown’s book to multiply the figure by one hundred.

The historical misinformation is put in the mouth of the villainous Sir Leigh Teabing, a former British Royal Historian (is there such a post?), and in the mouth of the hero Robert Langdon, a “professor of symbology” (a new field to me) at Harvard University.  On their performance, I would not have given either of them their jobs, let alone voted for Langdon’s tenure.  In short, enjoy the read, but discount the history.  Dan Brown adds no new evidence to previous, discredited attempts to establish that Jesus was married to Mary Magdalene and fathered children by her.

Gerald O’Collins, S.J., the author or co-author of 43 books, including Catholicism: The Story of Catholic Christianity (Oxford Univ. Press), is a professor of theology at the Pontifical Gregorian University in Rome.

 

 
 
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How true is Christian history in "Da Vinci Code"?

By RICHARD N. OSTLING AP Religion Writer

(AP) - A line from Dan Brown's "The Da Vinci Code" tells you why it's easily the most disputed religious novel of all time: "Almost everything our fathers taught us about Christ is false."

With 46 million copies in print, "Da Vinci" has long been a headache for Christian scholars and historians, who are worried about the influence on the faith from a single source they regard as wrong-headed.

Now the controversy seems headed for a crescendo with the release of the movie version of "Da Vinci" May 17-19 around the world. Believers have released an extraordinary flood of material criticizing the story _ books, tracts, lectures and Internet sites among them. The conservative Roman Catholic group Opus Dei, portrayed as villainous in the story, is among those asking Sony Corp. to issue a disclaimer with the film.

Bart Ehrman, religion chair at the University of North Carolina at Chapel Hill, likens the phenomenon to the excitement in the 19th century when deluded masses thought Jesus would return in 1844.

The novel's impact on religious ideas in popular culture, he says, is "quite unlike anything we've experienced in our lifetimes."

To give just one example, Ben Witherington III of Asbury Theological Seminary is following up the criticisms of the novel in "The Gospel Code" with lectures in Singapore, Turkey and 30 U.S. cities. He's given 55 broadcast interviews. Assaults on "Da Vinci" don't just come from evangelicals like Witherington, or from Roman Catholic leaders such as Chicago's Cardinal Francis George, who says Brown is waging "an attack on the Catholic Church" through preposterous historical claims.

Among more liberal thinkers, Harold Attridge, dean of Yale's Divinity School, says Brown has "wildly misinterpreted" early Christianity. Ehrman details Brown's "numerous mistakes" in "Truth and Fiction in the Da Vinci Code" and asks: "Why didn't he simply get his facts straight?"

The problem is that "Da Vinci" is billed as more than mere fiction.

Brown's opening page begins with the word "FACT" and asserts that all descriptions of documents "are accurate."

"It's a book about big ideas, you can love them or you can hate them," Brown said in a speech last week. "But we're all talking about them, and that's really the point."

Brown told National Public Radio's "Weekend Edition" during a 2003 publicity tour _ he declines interviews now _ that his characters and action are fictional but "the ancient history, the secret documents, the rituals, all of this is factual." Around the same time, on CNN he said that "the background is all true."

Christian scholars beg to differ. Among the key issues:

Jesus' divinity

Brown's version in "Da Vinci": Christians viewed Jesus as a mere mortal until A.D. 325 when the Emperor Constantine "turned Jesus into a deity" by getting the Council of Nicaea to endorse divine status by "a relatively close vote."

His critics' version: Larry Hurtado of Scotland's University of Edinburgh, whose "Lord Jesus Christ" examines first century belief in Jesus' divinity, says that "on chronology, issues, developments, and all the matters asserted, Brown strikes out; he doesn't even get on base."

He and others cite the worship of Jesus in epistles that Paul wrote in the 50s A.D. One passage teaches that Jesus, "though he was in the form of God, did not count equality with God a thing to be grasped" and became a man (Philippians 2:6).

Historians also say the bishops summoned to Nicaea by Constantine never questioned the long-held belief in Jesus' divinity. Rather, they debated technicalities of how he could be both divine and human and approved a new formulation by a lopsided vote, not a close one.

The New Testament

Brown's version: "More than 80 gospels were considered for the New Testament" but Constantine chose only four. His new Bible "omitted those gospels that spoke of Christ's human traits and embellished those gospels that made him godlike. The earlier gospels were outlawed, gathered up and burned." The Dead Sea Scrolls and manuscripts from Nag Hammadi, Egypt, were "the earliest Christian records," not the four Gospels.

Critics: Historians say Christians reached consensus on the authority of the first century's four Gospels and letters of Paul during the second century. But some of the 27 New Testament books weren't universally accepted until after Constantine's day. Constantine himself had nothing to do with these decisions.

Some rejected writings are called gospels, though they lack the narrative histories that characterize the New Testament's four. Matthew, Mark, Luke and John were earlier and won wide consensus as memories and beliefs from Jesus' apostles and their successors.

The rejected books often portrayed an ethereal Jesus lacking the human qualities depicted in the New Testament Gospels _ the exact opposite of Brown's scenario. Gnostic gospels purported to contain secret spiritual knowledge from Jesus as the means by which an elite could escape the material world, which they saw as corrupt. They often spurned Judaism's creator God and the Old Testament.

On the question of mass burning of texts deemed heretical, Ehrman of North Carolina says there's little evidence to support that claim. Rejected books simply disappeared because people stopped using them, and nobody bothered to make new copies in an age long before the printing press.

The Dead Sea Scrolls? These were Jewish documents, not Christian ones. The Nag Hammadi manuscripts? With one possible exception, these came considerably later than the New Testament Gospels.

Jesus as married

Brown's version: Jesus must have wed because Jewish decorum would "virtually forbid" an unmarried man. His spouse was Mary Magdalene and their daughter inaugurated a royal bloodline in France.

Critics: First century Jewish historian Josephus said most Jews married but Essene holy men did not. The Magdalene myth only emerged in medieval times.

Brown cites the Nag Hammadi "Gospel of Philip" as evidence of a marriage, but words are missing from a critical passage in the tattered manuscript: "Mary Magdalene (missing) her more than (missing) the disciples (missing) kiss her (missing) on her (missing)."

Did Jesus kiss Mary on the lips, or cheek or forehead? Whatever, Gnostics would have seen the relationship as platonic and spiritual, scholars say.

James M. Robinson of Claremont (Calif.) Graduate School, a leading specialist, thinks the current popularity of Mary Magdalene "says more about the sex life (or lack of same) of those who participate in this fantasy than it does about Mary Magdalene or Jesus."

The whole "Da Vinci" hubbub, Witherington says, shows "we are a Jesus-haunted culture that's biblically illiterate" and harbors general "disaffection from traditional answers."

But he and others also see a chance to inform people about the beliefs of Christianity through the "Da Vinci" controversy.

"If people are intrigued by the historical questions, there are plenty of materials out there," Yale's Attridge says.

British Justice Peter Smith, who recently backed Brown against plagiarism charges, perhaps best summed up the situation in his decision:

"Merely because an author describes matters as being factually correct does not mean that they are factually correct. It is a way of blending fact and fiction together to create that well known model 'faction.' The lure of apparent genuineness makes the books and the films more receptive to the readers/audiences. The danger of course is that the faction is all that large parts of the audience read, and they accept it as truth."

 

 
 
 
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Most Catholics not fazed by 'Code' talk

By Cathy Lynn Grossman, USA TODAY Wed Apr 26, 7:12 AM ET

Author Dan Brown may be surprised by a new survey on Catholics' view of his best-selling novel and upcoming film The Da Vinci Code- a tale of a murderous Catholic conspiracy to hide that Jesus had a child with Mary Magdalene.

Brown told a New Hampshire audience Sunday that he delights in all the clergy and scholars "debunking" his story of church fathers suppressing "the sacred feminine" in Christianity. Debate, he says, helps spirituality "evolve."

But most Catholics view the brouhaha with a big yawn, according to the survey released Tuesday by Catholic Digest, the 70-year-old monthly magazine.

Most (73%) say The Da Vinci Code has had "no effect on their faith."

And 92% say they don't know of anyone leaving the church after reading the book, says the March 23-27 survey of 443 Catholics, by Yankelovich Inc. Margin of error was ±4.7 percentage points.

"Catholics know this is fiction," and they're "smart enough and strong enough not to let a book or movie bother them," says Dan Connors, editor-in-chief of Catholic Digest.

Other findings:

• 28% have read all or part of the book; 63% did not read it, chiefly, they say, because they lack time, interest or inclination to read fiction.

• 43% plan to see the film; 48% don't.

• 91% say it's not wrong or a sin to read the book or see the film.

Even if they haven't read the book or seen the movie previews, debate over The Da Vinci Code has permeated popular media recently.

Connors said the magazine conducted the survey, which will be reported in the June issue, and published a 35-page pamphlet of Catholic facts, because "there was a real fear among some clergy that it would be dangerous ... Brown is talking about the origins of our faith and a scenario of Jesus different than what the church says."

Even more worrisome, Connors says, is "the nagging feeling that Catholics don't know enough - or care enough - to question" when Brown addresses fundamental questions such as whether Jesus was divine or human, or how the New Testament was established. "These are foundational pieces of the faith."

Talk show host Dick Lyles, CEO of Relevant Radio, a chain of 17 Catholic stations in 13 states, echoes this concern.

"The Da Vinci Code is an assault on Jesus that has (Catholics and Protestants) upset ... People are tired of these endless attempts to undermine the teachings of the church," Lyles says.

Author Brown, however, argued Sunday that ferment is good for faith.

"The more vigorously we debate these things, the more vigorous our spirituality," he said in a lecture broadcast by New Hampshire Public Radio.

"You don't have to believe a single word of the story to enjoy it, to engage in the debate, to remain open-minded to perspectives that make us think, perspectives that challenge us to ponder and articulate why we believe what we believe. Who knows? Many of us may emerge from that debate with stronger faith then when we started."

 

 
 
 
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Links to Other Articles:
 
 

 "Cracking the Da Vinci Code" (Catholic Answers)

   
  "The Da Vinci Code, the Catholic Church, and Opus Dei" (Opus Dei)
   
  "Dismantling the Da Vinci Code" (Catholic Educators' Resources)
   
   "St. John and the Last Supper"
   
   "Theologian Elizabeth Johnson on Mary Magdalene" (American Catholic)  Audio excerpts are available on this webpage
   
  "Da Vinci Code as Seen from Rome" (Zenit)
   
  "The Da Vinci Fallacy" (Amy Welborn) 
   
  "The Priory of Sion: Is the Secret Organization Fact or Fiction?" (CBS 60 Minutes)  Text with option for streaming video
   
  "Demystifying Da Vinci" (Robin Griffeth-Jones of Temple Church, London)  Streaming video
   
   "How Dark the Con of Man" (Archbishop George H. Niederauer ) 
   
  "Da Vinci Code: the Dialogue" (Sony Pictures Entertainment, Grace Hill Media and the Hollywood Prayer Network) 
   
  "Da Vinci Code Confirms Rather than Changes People's Religious Views" (Survey by the Barna Group) 
   
  "Cracking a Controversial Code" (Jewish Journal) 
   
  "Breaking the Da Vinci Code: Christian History" (Christianity Today) 
   
  "Jesus Decoded" (US Catholic Bishops)
   
  "What's Wrong with the Da Vinci Code" by Father John Wauck (US Catholic Bishops)
   
  "The Da Vinci Code Is an Opportunity to Teach" (National Council of Churches)
   
  "The Priory of Sion ...decoded" (sponsors??)
   
  "The Knights Templar" (Catholic Encyclopedia)
   
  "The Da Vinci Code: Revisiting a Cracked Conspiracy" (Christian Research Institute)
   
  "The Da Vinci Code Intrigue" (Christianity Today)
   
  "Decoding Da Vinci" (Christianity Today)
   
  "Mona Lisa's Smirk" (Y Jesus)
   
  "The Da Vinci Code: A Tool for Evangelism?" (Christianity Today)
   
  "Lies and False Allegations in the Da Vinci Code" (Father Tony)
   
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Last update: May 27, 2006